SEVEN artists from Myanmar are now teaching at a Master Classes in Asian Puppetry course being held in Chiang Mai.
Puppeteers U Daung Yin and Daw Nan Tin and puppet makers U Aung Than Tun and U Khin Maung Htwe, who are all from the Htwe Oo Myanmar traditional marionette troupe, are now participating in the program, as well as poet U Maung Maung Thein, composer Parimi Shunn and Ms Kit Young from Gitameit.
The program began on December 26 and will finish on January 17. It is being held at Chiang Mai’s Empty Space Arts Centre.
Under the program, puppetry experts from across the region are teaching students from US-based institutions, including Sarah Lawrence College, Barnard College, Long Island University and the California Institute of Arts.
The leader of the Htwe Oo Myanmar troupe, U Khin Maung Htwe, said the program presented a good opportunity to spread knowledge about all aspects of the country’s traditional marionettes.
“I am proud the organisers have invited us to take part in this and given us the chance to spread our art to interested students,” he said. “I’m also hoping to learn a lot from the program.”
He said the program would culminate with the production of a contemporary opera, a joint project between marionette experts and students.
The Chiang Mai Puppetry Program aims to provide students with the opportunity to study with master artists from a variety of Asian puppet traditions, according to the Empty Space Arts Centre’s website.
“The importance of puppetry to Asian cultures cannot be overstated,” the website says. “In the US however, no such premium is placed on puppetry. This means that US artists working in puppetry are left to borrow, reinterpret and adapt forms and techniques from other cultures to create their art. For students of theatre, puppetry and interdisciplinary art, this means studying with masters of the craft from all over the globe.”